The Rise of the Global Creative Economy

In recent years, the global creative economy has experienced unprecedented growth. This surge has led to extensive research aimed at understanding the nuances of the creative economy, its occupational classifications, and how to measure its impact. Organizations ranging from the United Nations to local governments have published reports on the creative and cultural economy, while also developing strategies for creative urban renewal. One such strategy involves creative placemaking, which involves infusing specific urban environments with creative activities. In parallel, academic institutions and professional organizations have begun crafting training programs for aspiring professionals in the creative and cultural industries.

Introducing Cultural Entrepreneurship

Within this context, "Cultural Entrepreneurship" explores the training of professionals who will revolutionize the creative industries. The book brings together over fifty scholars from around the world to shed light on this rapidly evolving discipline. As cultural entrepreneurship becomes increasingly global, with a mobile international workforce, the education of cultural professionals has embraced an international focus.

Unearthing Theoretical Foundations

The book delves into the theoretical foundations that inform the pedagogy and training for the creative industries. Design thinking, humanities, poetics, risk, strategy, and the artist/entrepreneur dichotomy are crucial components of this lively discussion.

Designing Curricula and Pedagogies

Part III of the book showcases the design of cultural entrepreneurship curricula and the pedagogies employed to teach artists and industry specialists in the field. The authors examine various scales and national and international contexts, illustrating the creation of entire new schools and undergraduate/graduate programs.

Inspiring Case Studies and Practitioner Training

Part IV provides inspiring case studies that focus on industry-specific training, skills-based courses, and more. These real-world examples demonstrate the successful implementation of program and course structures. Part V concludes the book by presenting selected examples of practitioner training for cultural industries, both within and outside academia.

This comprehensive volume offers conceptual frameworks, pedagogical approaches, and examples of program implementation for readers seeking to build new programs for the evolving creative industries. It is edited by Olaf Kuhlke, an Associate Dean at the University of Minnesota Duluth, and Dr. Annick Schramme, a professor at the University of Antwerp.

Dr. Rene Kooyman, an experienced project manager in the creative industries, also contributes valuable insights to the book. Together, these experts provide invaluable guidance for cultural entrepreneurs and professionals aspiring to make a significant impact in this thriving global landscape.